Bradshaw patch bay

Fight on the sideline? Simple explanation is easy. Terry recently teased an interview with Ben Roethlisberger, and while he called it the "best I've ever done," fans know there is a history between the two NFL quarterbacks.

Another agreed, adding, "Terry Bradshaw is interviewing Ben. Well, that should be interesting. Distractify is a registered trademark. All Rights Reserved. People may receive compensation for some links to products and services on this website.

Offers may be subject to change without notice. I think its good to first sort out the order and catagories: When you get past 5 rack units there are bound to be a couple of units that you'll want to be able to switch the routing of.

Usually these are units that do both notable modulation, delays and reverb. I want to be able to run any one of them into another also 2 into 1 AND and be able to contol the amount per sent. Other effects might be more primarally used as delay and modulation Korg dr, MPX1. Those can be placed more statically in the chain. After making that distinction, you'd need to figure out if you want your effects to have a serial path I mean amongst eachother of course you should always run the base-guitar-signal in paralel or a paralel path or a nice combination.

An easy and cheap way to create a very flexible serial path is to use a patchbay. Put a splitter first to multiply the feed from the amp to the patchbay, put all the effects on the bay in and out, and finally patch a couple of feeds to a line mixer.

A splitter and mixer that can do 8 from 2 should be enough, as you never use all at once. The simple 1u patchbays are already 48channel, which should accomodate quie a few effects. The ultimate flexible setup would bs a matrix mixer. For stereo this would mean a monitor-mixer. Allen and Heath 12m or the Crest audio 20rm are the best for that in 19" format. You can run 6 processors in full stereo InTo eachother in serial or paralel and anything inbetween. And eith the Crest, you'll have 4 channels spare.

I have chosen to go hybrid with a Allen and Heath The Midas Venice would also be a great choice. Not as flexible as the auxes, but very workable. There is a limit of 8 or 9 processors though Hope this helps you find your way.

Last edited: May 14, Thank you! Then you have a true infinitely configureable matrix and all under preset and midi control. Thanks for all the replies, I really appreciate it. This info will come in handy once I finally settle on what list of rack units I'm going to splurge on. For that Bradshaw mixer I linked, from what I understand there's 5 stereo loops in Mix 1 and 5 stereo loops in Mix 2 - with Mix 1 feeding into Mix 2 in series.

So whatever effects are in Mix 1 won't be in parallel with whats in Mix 2. Do you guys find that to be an issue, or is it preferable in some cases?

NAJ said:. For live-applications that's unbeatable, treu! In a home-studio I would miss the quick interaction of the faders. But that is probably solveable with a midi-fader device?

Same would be with the Bradshaw mixer: besides the lack of 'matixing' effects, you'd have to use the effects' output level knobs to level them. Most have a knob for that, but definitly not all eventide..

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